POETRY

Shamala Gallagher, When It Is Time to Sell the Pain as a Poem and Poets of Color, I Want My Darker Skin Gold
Randall Watson, Fire on the Plains
JD Scott, Youngblood and As Concord the Hustlers Sing
Tina Barr, Mayhem and Einstein’s Floating World
Candace G. Wiley, Answers for the Hard Questions and How to Lift Him / That Great Gittinup
Joshua Nguyen, Aunt Peach, by No Means, Bruises Easily
Christopher J. Greggs, See Yourself See Me Too and For Pop to get the seeds for Mama’s coral vine it took him all summer
Addie Tsai [I didn’t believe the other children at first.] and [my twin, the nameless one, wild in the woods]
Casandra Lopez, How to Keep Track of San Bernardino’s Homicides and Show and Tell Shame
Annie Woodford, Beauty Shop
Leslie Contreras Schwartz, Cenote
Analicia Sotelo, Separation Anxiety
Jasminne Mendez, When You Ask Me What I Know of Santo Domingo and In the Texas Summer Heat
James D. Autio, Therein My Slender Button and Of Misakakojiish
Stalina Emmanuelle Villarreal, Attack del Autorretrato: Infidelities of a Self-Portrait and Office Body
Julian Randall, Verdict
DeShara Suggs-Joe, A Five-Question Survey on Blackness
Lupe Mendez, Un soñador al momento que le dicen que no (Houston, 12.10.16) and To the Priest Who Told One of My Students That Holding a Forum on Campus Could Make the Kids Act Like “the Savage Latinos” He Saw on TV Burning Trump Piñatas
Kimberly Alidio, Dearest, I’m Writing from Inside This Place to You Who Are in a Totally Different Place 

NONFICTION

Angie Cruz, Exposed
Grace Singh Smith, The Haircut
DeShara Suggs-Joe, Home
Renée Branum, Mlsná
Leslie Contreras Schwartz, Times I Didn’t Say Much 

REVIEW

Michael Demson, March, by John Lewis, Andrew Aydin, and Nate Powell

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The Texas Review is a biannual literary journal that was first published in 1976 by Paul Ruffin as The Sam Houston Literary Review. When The Texas Quarterly folded at the University of Texas in 1979, Ruffin changed the name to The Texas Review.

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